Stock Status:
Condition: New
SKU : 1613M88
50–150mm telephoto zoom range
Constant f/2 ultra-bright aperture
G Master (GM) flagship optical design
Ultra-fast XD linear autofocus system
11-blade circular aperture
Professional weather-sealed build
High-resolution edge-to-edge sharpness
86mm filter thread
The Sony FE 50–150mm f/2 GM is a high-end professional telephoto zoom lens designed for extreme low-light performance and subject isolation. With its constant f/2 aperture across the zoom range, it delivers near-prime image quality in a flexible zoom format, making it ideal for weddings, sports, portraits, and cinematic production.
| Product | Price |
|---|---|
| Sony FE 50–150mm f/2 GM Lens | KSh 393,000 |
| Feature | Details |
|---|---|
| Focal Length | 50–150mm |
| Aperture | f/2 – f/22 |
| Mount | Sony E-mount (Full Frame) |
| Optical Design | G Master |
| Autofocus | XD Linear Motor |
| Minimum Focus Distance | ~0.95m |
| Magnification | ~0.20x |
| Filter Size | 86mm |
| Weight | ~1340g |
| Weather Sealing | Yes |
The Sony FE 50–150mm F2 GM Lens features a solid professional construction designed for demanding studio and field work. It is built to handle continuous professional use in events, weddings, and commercial shoots.
Despite its large aperture design, the lens maintains balanced handling for professional rigs and Sony full-frame camera bodies. The internal zoom design improves stability during shooting.
Exceptional sharpness across the entire zoom range, delivering prime-like optical quality even at the maximum f/2 aperture
Extremely strong subject separation due to the combination of f/2 aperture and telephoto compression from 50–150mm
High micro-contrast produces deep, cinematic rendering with professional-level clarity and depth
Excellent color accuracy with Sony’s signature natural tone reproduction suitable for portraits and commercial work
Very strong control of chromatic aberration even in high-contrast lighting such as stage performances and outdoor sunlight
Edge-to-edge sharpness remains consistent, making it suitable for high-resolution Sony bodies like A1 and A7R series
Minimal optical distortion across the zoom range, ensuring clean results for both photography and video
Designed for maximum optical consistency, even when shooting wide open at f/2
Extremely fast and accurate XD linear motor autofocus system optimized for real-time subject tracking
Excellent tracking performance for fast-moving subjects such as sports, stage performances, and weddings
Silent autofocus operation suitable for professional filmmaking and documentary production
Strong performance in low-light environments thanks to ultra-bright f/2 aperture
Internal zoom design ensures stable balance and consistent handling during operation
Reliable continuous autofocus during burst shooting on Sony flagship cameras
Designed for professional hybrid shooters requiring both still photography and cinematic video performance
Smooth focus transitions suitable for controlled cinematic focus pulls
Cinematic telephoto zoom ideal for storytelling, interviews, and emotional subject isolation
Extremely strong background compression creates cinematic depth and separation in video scenes
Constant f/2 aperture allows superior low-light filming without heavy lighting setups
Excellent for weddings, concerts, sports, and documentary filmmaking
Smooth autofocus tracking ensures stable subject focus during motion
Minimal focus breathing improves cinematic consistency in professional video work
Fully optimized for Sony high-end video workflows including 4K and 8K production
Works well on rigs and stabilizers despite its professional weight
Wedding photography and videography
Sports photography
Portrait photography
Concert and event coverage
Cinematic filmmaking
Commercial production
| Pros | Cons |
|---|---|
| Extremely bright f/2 aperture | Very expensive |
| Prime-level sharpness | Heavy lens |
| Excellent autofocus | Large 86mm filter |
| Strong subject separation | Not compact |
| Professional GM build | Requires strong support for long shoots |
Q: Is this lens good for weddings?
Yes, it is one of the best high-end wedding telephoto zooms.
Q: Can it replace prime lenses?
Yes, it can replace multiple telephoto primes due to its f/2 aperture.
Q: Is it good for video?
Yes, it is designed for cinematic professional video production.
Q: Is it good for sports?
Yes, it excels in fast-action sports photography.
The Sony FE 50–150mm f/2 GM is a flagship professional telephoto zoom lens offering exceptional sharpness, ultra-bright low-light performance, and cinematic rendering. At KSh 393,000 in Kenya, it is built for elite photographers and filmmakers working in weddings, sports, concerts, and high-end commercial production.
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