Stock Status:
Condition: New
SKU : 9333M24
28–135mm full-frame zoom range
Constant f/4 aperture
Power Zoom (PZ) control system
Optical SteadyShot (OSS) stabilization
G-series professional cine design
Smooth Motion Optics (SMO) system
9-blade circular aperture
Dust and moisture resistant build
95mm filter thread
The Sony FE PZ 28–135mm f/4 G OSS is a professional cinema-style zoom lens designed mainly for video production. It delivers smooth power zoom control, minimal focus breathing, and consistent optical performance, making it a popular choice for filmmakers, broadcast work, and high-end hybrid shooting setups.
| Product | Price |
|---|---|
| Sony FE PZ 28–135mm f/4 G OSS Lens | KSh 301,300 |
| Feature | Details |
|---|---|
| Focal Length | 28–135mm |
| Aperture | f/4 – f/22 |
| Mount | Sony E-mount (Full Frame) |
| Optical Design | G Series (SMO) |
| Autofocus | Linear Motor |
| Stabilization | Optical SteadyShot (OSS) |
| Minimum Focus Distance | ~0.40m – 0.95m |
| Magnification | ~0.15x |
| Filter Size | 95mm |
| Weight | ~1215g |
| Zoom System | Power Zoom (PZ) |
| Weather Sealing | Yes |
The Sony FE PZ 28-135mm F4 G OSS Lens is designed like a true cinema lens, featuring independent control rings for zoom, focus, and iris. It is built for professional film sets and broadcast environments.
Despite its size, the lens is balanced for rig setups and professional camera bodies. The motorized zoom system ensures smooth and controlled zoom movements.
Designed primarily for consistent cinematic output rather than extreme still photography sharpness
Very good center sharpness across the zoom range, especially optimized for 4K and video recording workflows
Smooth Motion Optics (SMO) design reduces focus breathing, zoom shift, and optical axis movement for stable video output
Color rendering is neutral and cinematic, tuned for broadcast and professional film production
Controls chromatic aberration well in video environments, especially during controlled lighting setups
Edge sharpness is acceptable for video but not on the level of modern G Master still lenses
Prioritizes consistency during zooming over maximum still-image resolution
Best performance is achieved in video-centric workflows rather than high-resolution photography cropping
Smooth and reliable autofocus system designed for continuous video tracking
Power zoom allows controlled zoom speed adjustments for cinematic zoom transitions
Independent control rings for focus, zoom, and iris provide broadcast-style handling
OSS stabilization helps reduce shake in handheld and run-and-gun video shooting
Designed for consistent focus behavior during zooming (cinema-style performance)
Strong reliability for long recording sessions and professional production environments
Works well with Sony cinema bodies like FX3, FX6, and FS series
Optimized for operators who need repeatable, controlled motion rather than fast still photography bursts
One of Sony’s most cinema-focused E-mount zoom lenses
Smooth powered zoom enables professional broadcast-style zoom transitions
Extremely low focus breathing makes it ideal for narrative filmmaking
Designed for 4K and higher-resolution video production workflows
Excellent for documentaries, corporate films, and live event coverage
Maintains stable exposure and focus during zoom changes
Heavy but balanced for tripod, shoulder rig, and cinema setups
Strong choice for multi-camera professional video productions
Cinematic filmmaking
Documentary production
Broadcast video work
Corporate video production
Event coverage (video)
Studio and controlled filming environments
| Pros | Cons |
|---|---|
| Excellent for video production | Heavy lens |
| Smooth power zoom control | Not ideal for photography |
| Strong OSS stabilization | f/4 aperture limits low light |
| Minimal focus breathing | Expensive |
| Cinema-style handling | Soft compared to GM still lenses |
Q: Is this lens good for photography?
It can be used, but it is primarily designed for video work.
Q: Is it good for cinema production?
Yes, it is one of Sony’s most popular cinema-style zoom lenses.
Q: Does it have image stabilization?
Yes, it includes Optical SteadyShot (OSS).
Q: Is it better than 24–70mm GM lenses?
For video control, yes. For sharp still images, no.
The Sony FE PZ 28–135mm f/4 G OSS is a professional cinema-grade zoom lens built for controlled video production, offering smooth power zoom, minimal focus breathing, and reliable stabilization. At KSh 301,300 in Kenya, it is best suited for filmmakers, broadcast operators, and serious video creators rather than still photographers.
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